Bee

Friday, April 30, 2010

Childhood

Childhood


When did my childhood go?
Was it the day I ceased to be eleven,
Was it the time I realised that Hell and Heaven,
Could not be found in Geography,
And therefore could not be,
Was that the day!

When did my childhood go?
Was it the time I realised that adults were not
all they seemed to be,
They talked of love and preached of love,
But did not act so lovingly,
Was that the day!

When did my childhood go?
Was it when I found my mind was really mine,
To use whichever way I choose,
Producing thoughts that were not those of other people,
But my own, and my alone,
Was that the day!

Where did my childhood go?
It went to some forgotten place,
That's hidden in an infant's face,
That's all I know.
_____________________________
Markus Natten (wrote this poem when he was 12 years old).

Thursday, April 29, 2010

AN ELEGY WRITTEN IN A COUNTRY CHURCH-YARD

"ELEGY WRITTEN IN
A COUNTRY CHURCH-YARD"

The curfew tolls the knell of parting day,
The lowing herd winds slowly o'er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds:

Save that from yonder ivy-mantled tower
The moping owl does to the moon complain
Of such as, wandering near her secret bower,
Molest her ancient solitary reign.

Beneath those rugged elms, that yew-tree's shade,
Where heaves the turf in many a mouldering heap,
Each in his narrow cell for ever laid,
The rude Forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
Or busy housewife ply her evening care:
No children run to lisp their sire's return,
Or climb his knees the envied kiss to share,

Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
How bow'd the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the Poor.

The boast of heraldry, the pomp of power,
And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour:-
The paths of glory lead but to the grave.

Nor you, ye Proud, impute to these the fault
If Memory o'er their tomb no trophies raise,
Where through the long-drawn aisle and fretted vault
The pealing anthem swells the note of praise.

Can storied urn or animated bust
Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway'd,
Or waked to ecstasy the living lyre:

But Knowledge to their eyes her ample page,
Rich with the spoils of time, did ne'er unroll;
Chill Penury repress'd their noble rage,
And froze the genial current of the soul.

Full many a gem of purest ray serene
The dark unfathom'd caves of ocean bear:
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.

Some village-Hampden, that with dauntless breast
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell, guiltless of his country's blood.

Th' applause of list'ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
And read their history in a nation's eyes,

Their lot forbad: nor circumscribed alone
Their growing virtues, but their crimes confined;
Forbad to wade through slaughter to a throne,
And shut the gates of mercy on mankind,

The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strife,
Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
They kept the noiseless tenour of their way.

Yet e'en these bones from insult to protect
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unletter'd Muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.

For who, to dumb forgetfulness a prey,
This pleasing anxious being e'er resign'd,
Left the warm precincts of the cheerful day,
Nor cast one longing lingering look behind?

On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
E'en from the tomb the voice of Nature cries,
E'en in our ashes live their wonted fires.

For thee, who, mindful of th' unhonour'd dead,
Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
Some kindred spirit shall inquire thy fate, --

Haply some hoary-headed swain may say,
Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away,
To meet the sun upon the upland lawn;

'There at the foot of yonder nodding beech
That wreathes its old fantastic roots so high.
His listless length at noontide would he stretch,
And pore upon the brook that babbles by.

'Hard by yon wood, now smiling as in scorn,
Muttering his wayward fancies he would rove;
Now drooping, woeful wan, like one forlorn,
Or crazed with care, or cross'd in hopeless love.

'One morn I miss'd him on the custom'd hill,
Along the heath, and near his favourite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he;

'The next with dirges due in sad array
Slow through the church-way path we saw him borne,-
Approach and read (for thou canst read) the lay
Graved on the stone beneath yon aged thorn.'
The Epitaph
Here rests his head upon the lap of Earth
A youth to Fortune and to Fame unknown.
Fair Science frowned not on his humble birth,
And Melacholy marked him for her own.

Large was his bounty, and his soul sincere,
Heaven did a recompense as largely send:
He gave to Misery all he had, a tear,
He gained from Heaven ('twas all he wish'd) a friend.

No farther seek his merits to disclose,
Or draw his frailties from their dread abode
(There they alike in trembling hope repose),
The bosom of his Father and his God.

By Thomas Gray (1716-71).

Saturday, April 24, 2010

Robert Graves - Dialogue on the Headland

Robert Graves - Dialogue on the Headland
========================================

SHE: You'll not forget these rocks and what I told you?
HE: How could I? Never: whatever happens.
SHE: What do you think might happen?
Might you fall out of love? - did you mean that?
HE: Never, never! 'Whatever' was a sop
For jealous listeners in the shadows.
SHE: You haven't answered me. I asked:
'What do you think might happen?'
HE: Whatever happens: though the skies should fall
Raining their larks and vultures in our laps -
SHE: 'Though the sea turn to slime' -say that -
'Though water-snakes be hatched with six heads.'
HE: Though the seas turn to slime, or tower
In an arching wave above us, three miles high -
SHE: 'Though she should break with you' - dare you say that? -
'Though she deny her words on oath.'
HE: I had that in my mind to say, or nearly;
It hurt so much I choked it back.
SHE: How many other days can't you forget?
How many other loves and landscapes?
HE: You are jealous?
SHE: Damnably.
HE: The past is past.
SHE: And this?
HE: Whatever happens, this goes on.
SHE: Without a future? Sweetheart, tell me now:
What do you want of me? I must know that.
HE: Nothing that isn't freely mine already.
SHE: Say what is freely yours and you shall have it.
HE: Nothing that, loving you, I should dare take.
SHE: O, for an answer with no 'nothing' in it!
HE: Then give me everything that's left.
SHE: Left after what?
HE: After whatever happens:
Skies have already fallen, seas are slime,
Watersnakes poke and peer six-headedly -
SHE: And I lie snugly in the Devil's arms.
HE: I said: 'Whatever happens.' Are you crying?
SHE: You'll not forget me - ever, ever, ever?

Wednesday, April 21, 2010

A Ballad of Dreamland

A Ballad of Dreamland
_________________________
I hid my heart in a nest of roses,
Out of the sun's way, hidden apart;
In a softer bed then the soft white snow's is,
Under the roses I hid my heart.
Why would it sleep not? why should it start,
When never a leaf of the rose-tree stirred?
What made sleep flutter his wings and part?
Only the song of a secret bird.

Lie still, I said, for the wind's wing closes,
And mild leaves muffle the keen sun's dart;
Lie still, for the wind on the warm seas dozes,
And the wind is unquieter yet than thou art.
Does a thought in thee still as a thorn's wound smart?
Does the fang still fret thee of hope deferred?
What bids the lips of thy sleep dispart?
Only the song of a secret bird.

The green land's name that a charm encloses,
It never was writ in the traveller's chart,
And sweet on its trees as the fruit that grows is,
It never was sold in the merchant's mart.
The swallows of dreams through its dim fields dart,
And sleep's are the tunes in its tree-tops heard;
No hound's note wakens the wildwood hart,
Only the song of a secret bird.


ENVOI

In the world of dreams I have chosen my part,
To sleep for a season and hear no word
Of true love's truth or of light love's art,
Only the song of a secret bird.
_________________________________
Algernon Charles Swinburne

Saturday, April 10, 2010

It Must Give Pleasure

It Must Give Pleasure

___________________________________



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I
To sing jubilas at exact, accustomed times,
To be crested and wear the mane of a multitude
And so, as part, to exult with its great throat,


To speak of joy and to sing of it, borne on
The shoulders of joyous men, to feel the heart
That is the common, the bravest fundament,


This is a facile exercise. Jerome
Begat the tubas and the fire-wind strings,
The golden fingers picking dark-blue air:


For companies of voices moving there,
To find of sound the bleakest ancestor,
To find of light a music issuing


Whereon it falls in more than sensual mode.
But the difficultest rigor is forthwith,
On the image of what we see, to catch from that


Irrational moment its unreasoning,
As when the sun comes rising, when the sea
Clears deeply, when the moon hangs on the wall


Of heaven-haven. These are not things transformed.
Yet we are shaken by them as if they were.
We reason about them with a later reason.


____________________________
Wallace Stevens

Sunday, April 4, 2010

Sobre La Tierra Amarga

Sobre La Tierra Amarga
__________________________________
Sobre la tierra amarga,
caminos tiene el sueno
laberinticos, sendas tortuosas,
parques en flor y en sombra y en silencio;
criptas hondas, escalas sobre estrellas,
retablos de esperanzas y recuerdos.
Figurillas que pasan y sonrien
—jugetes me1ancó1icos de viejo—;
imágenes amigas,
a la vuelta florida del sendero,
y quimeras rosadas
que hacen camino . . . lejos . . .
____________________________________
by Antonio Machado. Hardie St. Martin, Roots and Wings: Poetry from Spain, 1900- 1975. New York: Harper and Row, 1976.
_______________________________________________
Daydreams Have Endlessly Turning Paths
________________________________________________
Daydreams have endlessly turning
paths going over the bitter
earth, winding roads,
parks flowering, in darkness and in silence;
deep vaults, ladders against the stars;
scenes of hopes and memories.
Tiny figures that walk past and smile
—sad playthings for an old man—;,
friends we think we can see
at the flowery turn in the road
and imaginary creatures
that show us roads . . . far off . . .
_______________________________________
Translated by Robert Bly. Hardie St. Martin, Roots and Wings: Poetry from Spain, 19001975. New York: Harper and Row, 1976.
Sobre la Tierra Amarga/
Daydreams Have Endlessly Turning Paths